reverb
An ambisonic room reverb: early reflections from where the walls are, and a late tail
room
room presets
Six rooms from ambience to cathedral. Choosing one sets the values below; double-click it to reset them.
- size · when the early reflections arrive, and how dense they are
- decay · the reverb time
- tone · how much faster the highs decay
- roughness · how diffuse the walls are
room · distance and input
distance, pre-delay, input filter
Three more room settings.
- distance · how far away the source sounds
- pre-delay · extra delay before the tail
- input · low-cut and high-cut on the reverb input
send and return
which directions go in, and where the reverb comes back
Two regions: the directions that feed the reverb, and where the reverb returns. Each can be all directions, a spot, a band, sectors, dots or clouds.
the scene
where each reflection comes from
Point the probe at a direction, and the 3D view marks each early reflection a source there would get: where it arrives from, and how loud. The diffuse tail has no direction, so it is not drawn.
The image method for the reflections, Eyring’s reverberation time, and feedback delay networks for the tail, all on the foundations page.